Evoking the metropolitan unease and vibrancy of São Paulo, filmmaker Caetano's gripping drama centres on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the wide-eyed young man seeks comfort in the arms of others.
On an late-night excursion with his boisterous group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler more than twice his age. Shrouded in the wavering neon of a adult movie theater, their initial encounter is physical and passionate, with an hint of risk. Ronaldo promptly ushers Wellington to the clandestine realm of sex work and drug dealing.
The director portrays Wellington’s new life of crime with compassionate understanding as opposed to as a sensationalist cautionary tale. Now going by the name of Baby, he enters his commercial trysts with cocky bravado and endearing innocence. To his customers, Wellington lends not only his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, teeming with crowded backstreets and colourful shopfronts, there’s a persistent isolation, as adrift individuals hold fast to one another for fleeting joy.
"The streets can be fraught with peril, yet they are the place where they can discover chosen kin, too."
Ronaldo is simultaneously a partner and a protective father figure to Wellington, but their bond is sabotaged by possessiveness and financial instability. Dangers posed by dubious individuals in the shadow economy pale in comparison to the dread of government monitoring and imprisonment, epitomized by the hovering figures of police officers in the area.
Baby is especially potent as a perceptive study of the disenfranchised individuals who have fallen through the cracks the established structure. The film stands as a moving exploration into resilience, chosen family, and the pursuit of identity within a harsh urban landscape.